The After-Party: A Celebration of the Harlem Renaissance
The Opportunity dinner, following the success of the Civic Club dinner, marked a turning point in the Harlem Renaissance movement. Langston Hughes, fresh off his win for his iconic poem “The Weary Blues,” and Zora Neale Hurston, who had just been recognized for her play “Color Struck,” were among the rising stars in attendance.
The mainstream news media took notice of the Renaissance for the first time, with The New York Herald Tribune describing the dinner as a “novel sight” where white critics and Black writers came together on common ground. This gathering was seen as a pivotal moment in the artistic expression of the American Negro, signaling the beginning of what would later be known as the Negro Renaissance.
Veronica Chambers, editor of Projects and Collaborations at The Times, and Michelle May-Curry, Ph.D., a curator and writer, reflected on the significance of this event. They highlighted the contributions of key figures such as Arturo Schomburg, Gwendolyn Bennett, and W.E.B. Du Bois, whose work helped shape the cultural landscape of the era.
The After-Party was a celebration of creativity, resilience, and unity in the face of adversity. As the Harlem Renaissance continued to gain momentum, it became clear that this movement was not just a passing trend, but a powerful force that would leave a lasting impact on American culture.
Contributing reporters Susan C. Beachy and Sejla Rizvic captured the essence of the evening, showcasing the vibrant energy and sense of community that permeated the event. Through their reporting, readers were able to experience the magic of the Harlem Renaissance firsthand, gaining a deeper appreciation for the artistry and innovation that defined this transformative period in history.
