Rudy Mancuso, the multi-talented director, composer, and co-writer of the film ‘Música,’ has taken a unique and unorthodox approach to filmmaking with his latest project. In a recent interview, Mancuso shared insights into the creation of a pivotal sequence in the film, which he refers to as the theatrical montage.
The sequence, which is almost a five-minute oner shot in one take, showcases Mancuso’s character, Rudy, who has a condition called synesthesia that gives him a unique relationship to sound. As music and sounds turn into rhythm for Rudy, the scene unfolds in a chaotic energy as movable sets are flying in and out, reflecting the chaos in the character’s life.
Throughout the sequence, Rudy is seen juggling the three people he cares about most in his life while lying to all of them. The scene, aptly named the rhythm of lies, portrays Rudy’s struggles as he navigates relationships with his long-time girlfriend, his mother, and a newfound love interest.
Mancuso’s attention to detail is evident in the seamless transitions between different sets and lighting cues that are syncopated to the music. The scene also features Rudy changing his wardrobe in real time, adding another layer of complexity to the already challenging oner.
Despite the technical challenges, Mancuso and his team were able to pull off the elaborate sequence with precision and creativity. The sequence ends where it began, in Rudy’s bedroom, completing a full circle that ties the chaotic energy of the scene together.
With ‘Música,’ Rudy Mancuso has proven himself to be a visionary filmmaker with a unique and innovative approach to storytelling. The theatrical montage is just one example of his creativity and dedication to pushing the boundaries of traditional filmmaking.
