The Metropolitan Opera’s new production of “El Niño” is taking audiences on a visually stunning and culturally rich journey through the story of Jesus’ birth and early childhood. With singing and dancing Virgin Marys representing different aspects of the land and sea, including Indigenous, Tropical, and Golden Marys, the production is a vibrant reimagining of the classic tale.
Costume designer Montana Levi Blanco faced the challenge of differentiating the flock of Virgins, but with his experience working with director Lileana Blain-Cruz, he was able to create unique and captivating looks for each character. The chorus, transformed into flora with avocado green costumes, adds to the natural environment created by set designer Adam Rigg.
Drawing inspiration from global cultures, the creative team behind “El Niño” incorporated elements from Central and South America, Cambodia, Indonesia, and Congo into the production. The costumes for the singing Marys reflect a unity in silhouette found in Indigenous cultures worldwide, honoring traditional clothing styles in a modern context.
With elaborate costumes and intricate detailing, the ethereal Marys portrayed by dancers bring a new perspective to Christian lore, putting women who are often overlooked in the spotlight. The diverse representation on stage reflects the designer’s own background, blending Black and Mexican heritage into the fabric of the production.
For Levi Blanco, Indigenous Mary holds a special significance, drawing on his upbringing in New Mexico where Christianity intertwined with Native American and Mexican cultures. The character’s nature-inspired design, complete with floral motifs and a lustrous abalone finish, pays homage to his grandmother Stella, who served as a guiding influence throughout the creative process.
As audiences experience the beauty and complexity of “El Niño,” they are invited to see the story of Jesus’ birth through a new lens, one that celebrates diversity, tradition, and the power of artistic expression.
