“Michael R. Jackson Doesn’t Have a Vagina, But ‘Teeth’ Musical Does”
Michael R. Jackson, the Tony Award and Pulitzer Prize-winning lyricist, is breaking boundaries once again with his latest project, “Teeth,” a new musical based on the indie scary movie of the same name. The musical, currently in previews Off Broadway at Playwrights Horizons, explores the concept of vagina dentata, a myth about a vagina with lethal teeth.
Collaborating with composer Anna K. Jacobs, Jackson found inspiration in the themes of horror, dark comedy, and feminist body horror present in the original film. Drawing from his own experiences growing up in the Baptist church, Jackson resonated with the character of Dawn, a high school student grappling with her own body and sexuality.
Director Sarah Benson and choreographer Raja Feather Kelly joined Jackson and Jacobs for an interview, discussing the challenges and creative decisions behind bringing “Teeth” to the stage. The show features graphic scenes of penile amputations and a unique dance vocabulary that explores themes of shame and desire.
While the musical takes some dramaturgical liberties from the original film, it stays true to the core themes of sexual autonomy and body shame. The creators have reimagined the ending to reflect a more fantastical and empowering conclusion for the characters.
Despite the intense content and themes of the show, audiences have responded positively, with cheers and extended show dates. In a time of political and cultural upheaval, “Teeth” serves as a powerful antidote to ideological thinking, embracing individuality and self-expression.
As Jackson aptly puts it, “It’s a container where it’s OK to be a freak.” With “Teeth,” he and his team are pushing the boundaries of musical theater and challenging audiences to confront their fears and embrace their true selves.
