“Tommy” Revival at Nederlander Theater Leaves Audiences Wanting More
The latest revival of “Tommy” at the Nederlander Theater in Manhattan has left audiences scratching their heads and wanting more. The rock opera, originally a concept album released in 1969, has been reimagined on stage with a relentless assault on the senses that obscures the already perplexing storyline.
Directed by Des McAnuff, the production focuses more on noise and banal imagery rather than trying to make sense of the plot. Set during World War II and the following two decades, the story follows Tommy Walker, a young boy who becomes deaf, dumb, and blind after witnessing a traumatic event involving his parents.
To add to the confusion, the authors split Tommy into three coexisting incarnations, each representing a different stage of his life. From a traumatized child to a pinball wizard celebrity, Tommy’s journey is a bizarre and disjointed one.
Despite the impressive guitaring and harmonized vocals, the production lacks depth and humanity. The overemphasis on effects and visuals detracts from the emotional core of the story, leaving audiences wanting more substance.
While fans of rock concerts with flashy effects may enjoy the spectacle, those looking for a meaningful and engaging musical theater experience may be left disappointed. As the production struggles to find its footing, it becomes clear that when everything is an effect, nothing stands out as truly special.
In the end, “Tommy” at the Nederlander Theater may leave audiences with more questions than answers, and a longing for a deeper connection to the characters and story.
