Why Isn’t There an Oscar Category for Best Choreography?

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The Absence of an Oscar for Best Choreography: A Longstanding Issue in Hollywood

If you’ve watched this year’s Oscar-nominated films, you’ve likely seen the work of a choreographer. From Constanza Macras’s duet in “Poor Things” to Fatima Robinson’s love letters to Black social dance in “The Color Purple,” choreographers play a crucial role in shaping memorable dance scenes on the big screen. However, despite their significant contributions, none of these talented choreographers will be honored at the Academy Awards ceremony on Sunday.

The absence of an Oscar for best choreography has long been a point of contention in the dance world. While choreography in television, theater, and music videos is recognized at awards shows like the Emmys and the Tonys, film choreographers often go unnoticed at major ceremonies. The Academy of Motion Picture Arts and Sciences used to celebrate choreography, with an award for best dance direction from 1936 to 1938, but the category was discontinued for reasons that remain unclear.

Despite efforts from artists and allies to campaign for a best choreography category, choreographers remain underrepresented in the academy. However, there have been recent developments that offer a glimmer of hope for change. The academy’s new Production and Technology branch, which explicitly includes choreographers, could pave the way for more dance artists to become members and advocate for the establishment of a regular choreography award.

The recently formed Choreographers Guild, led by film and television choreographer Kathryn Burns, is also lobbying on behalf of choreographers. While these are positive steps towards recognition for film choreographers, there are still challenges to overcome. The criteria for admission to the academy’s Production and Technology branch, which requires sponsorship from existing members, poses a barrier for choreographers seeking membership.

Despite these obstacles, choreographers like Mandy Moore, known for her work on “La La Land,” remain hopeful for change. While the establishment of an annual best choreography Oscar may be a long road ahead, more frequent honorary awards for choreography could be a step in the right direction. As Burns aptly puts it, “We deserve something. Can dance get more of the awards side?”

The issue of recognizing the artistry and impact of film choreography is one that continues to spark conversation and advocacy within the industry. As the dance community pushes for greater acknowledgment and representation, the hope for a future where choreographers are celebrated alongside other creative talents in Hollywood remains alive.

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